A large scale newly made print of one of a series of four works that describe Nelson Mandela’s birthplace in Mvezo in South Africa is being installed at the newly renovated Ford Foundation. The iconic building designed by Kevin Roche and John Dinkeloo completed in 1968 will become the Ford Foundation Center for Social Justice at 430 East 43rd Street. The newly renovated building will re-open to the public in November 2018.
The new print is 548cm wide and will sit outside the Mandela meeting room.
"I undertook a journey to understand my own act of looking, travelling to South Africa I visited and photographed a monument built to celebrate the birthplace of Nelson Mandela in Mvezo in the Transvaal. The site itself is remote, over four hours on dirt roads cross country. Later I was taken to see the family who supported Mandela through his teenage years and photographed the hut he made his home at this time. This is now a national monument though there is little to suggest its status or to celebrate its occupant except a few random books. These four pictures are part of Parallel."
Hannah Collins will participate in the exhibition — Bestea Naiz / El otro soy yo / The other is me
25 Years! Shared Histories, Shared Stories, will be running from 20 October 2018 to 10 February 2019.
The exhibition will feature works from the Winterthur museum collection, selected by 25 individuals as well as Fotomuseum’s new director, Nadine Wietlisbach.
More information on the exhibition can be found here
Hannah Collins is one of four artists who have produced posters for Swiss Cottage Library a classic building designed by Sir Basil Spence.
The posters all focus on Equality Place Power and Identity. Hannah Collins spent time with children living on the Alexander and Ainsworth Estate designed by Neave Brown and opened in 1978 the year she finished college and where her studio is situated She asked them to show her how they felt about the architecture that surrounds them.
The posters will go on show on the 14th October.
'The impact of the arts, culture and the humanities on coexistence and cosmopolitanism'
Along with AC Grayling and William Kingswood, Hannah will be in conversation with Santiago Íñiguez as part of the Hay Festival in Segovia on Friday 21st September.
More information and tickets can be found here
Hannah Collins is working with Turner Contemporary in Margate to curate We Will Walk - Art of Protest and Resistance in the American South to open in Margate in January 2020 then touring.
The exhibition project aims to illuminate the ongoing relationship between creative expression and Civil Rights. The exhibition will, for the first time, bring together the sculptures, quilts and site-specific production of African American artists who grew up in direct contact with Civil Rights actions, alongside photographs and documentation of the Civil Rights era. The work of artists whose lives were entwined with the Civil Rights movement, and has a resulting direct power, is only now being internationally recognised.Hannah Collins is documenting those works which cannot be moved and are site specific. Specific to these artists’ works is a strong awareness of materials and a consciousness of the artist’s own role as guardian of and witness to, both nature and social change. By also featuring contemporary artworks exploring the vital social and political legacy of the Civil Rights period, the exhibition reaches for an understanding of the immense impact the events and imagery continue to exert.
Hannah will be showing the pictures above in an upcoming group show in Munich at Galerie Tanit.
For more details please see the gallery website here
Hannah is one of the Headlands Center For The Arts, Artist in Residence 2018 Awardees.
For more details please see the website here
Hannah will be showing the picture above in 'Champignons!' , which is curated by Francesca Gavin. The show will run from 08 September through to 10 November.
Though born in Snow Hill, Alabama in 1917, Noah Purifoy lived most of his life in Los Angeles and Joshua Tree, California, where he died in 2004. The exhibition of his work, Junk Dada, at LACMA in 2015 as well as the recent publication by Steidl of his notebooks and essays in High Desert, have contributed to the legacy of this long-overlooked artist who first came to prominence with sculpture assembled from the debris of the Watts Rebellion of 1965.
In the last fifteen years of his life Purifoy lived in the Mojave Desert where he created large-scale sculptures spread over ten acres. On visiting this site Hannah Collins made a series of exquisite black-andwhite photographic studies of Purifoy’s work. Her rigorous aesthetic stance is unwittingly reminiscent of the formality of Walker Evans, who would have greatly appreciated Purifoy’s transformation of discarded materials into grand yet vernacular forms.
Message from the Interior, Walker Evans’ photographic study of 1966, which through the selection of a handful of pictures of interiors suggests a wide and disparate landscape, became a model for the publication of Collins’ work from Purifoy’s site. Her 18 photographs are presented here in a format that exactly echoes Evans’ publication, both typographically and spatially. The intention is not imitative, but refers to the grandeur and scale achieved by Purifoy. Cumulatively his work becomes a transitory monument inevitably destined to decay into the desert itself.
You can pre-order the book here
18 black and white photographs shot using a large format camera are exhibited alongside a sound installation which examines the period from 1958 - 1970 both in California and further afield. During this period Noah Purifoy an African American sculptor who had come from Alabama to Los Angeles lived and worked as a social catalyst and artist. In a momentous time of change Purifoy developed both his social and cultural ideas which were in evidence during the final period of his life when he moved to Joshua Tree in the California Desert and created a sculptural installation there made entirely of repurposed objects. The soundtrack accompanying the images is made up of the voices of those who took part in the events of the 60s recalling and recounting some of the forces at work. Those interviewed include Ed Bereal, Ben Caldwell, Emory Douglas, Samella Lewis, John Outterbridge and Ed Ruscha. An accompanying artist book creates a link between the photographs of Walker Evans that recalled the vernacular of the South and Hannah collins’ recording of Purifoy’s reimagined spaces, the book will be produced by Steidl publishers during 2017.